The heroine is mostly silent and remains passive towards every single event that drives her even deeper into hopelessness.
Two alcoholic and indifferent parents, a miserable factory and poverty are the predominant features of Iiris’s daily routine. The cinematic environment of The Match Factory Girl will be familiar to anyone who has been accustomed to Kaurismäki’s landscapes and narratives. The Match Factory Girl (Aki Kaurismäki, 1990) Their revenge is by no means spectacular or flamboyant but the film’s characters manage to get their retribution without resorting to violent or extreme methods, which at the least earns these women a mention on this list.ġ7. Cynthia commits suicide when she learns that her ex-husband has married his younger mistress and sends three letters to her beloved friends.Īfter the women receive Cynthia’s last words they decide to get re-connected to each other and avenge the men who destroyed their lives. They are now middle aged and on the verge of a nervous breakdown because of their unfaithful husbands who so ungratefully turned their backs on them and betrayed them. The film may seem to be a cacophony in the middle of this list but it serves its purpose pretty well.īrenda, Elise, Annie and Cynthia used to be best friends when they were young. Revenge films are traditionally dramatic, fierce and nerve-racking but the three female members of the The First Wives Club seem to infuse their wrath with fair doses of humour. The ending sequence adds even more points to the overall unhinged impression of the film and proves that the seemingly peaceful Yuko had a last lesson to teach.ġ8. Through long detached monologues and stormy flashbacks Confessions unravels its narrative line with one plot twist following another. Plenty of scenes cross a few moral boundaries and Yuko’s murder weapon is nothing less than her ability to create discord in the minds of the young criminals that stay unpunished by the law because they are still minors. The teacher stands before her students and announces that she contaminated their milk drinks with HIV virus spreading chaos and paranoia around her. The structure of the film is only as labyrinthine as her outraged mind and fits perfectly the intricate nature of the vengeance that she is willing to serve.
Yuko comes up with a really masterful and ingenious revenge plan in order to avenge the death of her only child. It follows a quiet sweet teacher, Yuko, whose beloved daughter is murdered by two of her students. Confessions (Tetsuya Nakashima, 2010)Ĭonfessions offers one of the most idiosyncratic cases of revenge featured on this list. Clutching a shotgun, her impaired vision doesn’t seem to be an obstacle between herself and her targets. This literally traumatizing event, added to her grief for her parents’ unfair suicide, pushes her towards the edge and the heroine goes under a disciplined self-training process to prepare herself for vengeance. As if that wasn’t enough, she is forced into heroin addiction and prostitution, even getting stabbed in her left eye when she refuses to satisfy the sexual appetites of a client.
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The fact that Sweden produced a series of disturbing and turbulent sexploitation films during the 70s is relatively unknown, but One eyed Frigga managed to go down in history and her epic quest for revenge inspired the character of Elle Driver in Tarantino’s Kill Bill.Īfter being sexually abused as a child, the young Frigga becomes mute- a conspicuous symbol of her inability to have the life that she deserves. Thriller: They Call Her One Eye (Bo Arne Vibenius, 1973) Still women but not helpless anymore, they prove that a world of pain awaits those who try to mess with them.Ģ0. They grab the bull by the horns, face violence with violence and get vengeful. No longer damsels in distress, they realise that there is only one solution to their problems: revenge.Īrmed with all kinds of weapons from katanas and axes to acupuncture needles and poison, these ladies know exactly what they are doing. When justice doesn’t seem to respond to their desperate calls and men turn their lives into a never ending nightmare they have to crush this vicious circle and break free. But there are exceptions to every rule and the women on this list just had enough repression and oppression on their plates.īeing surrounded by people who turn a blind eye to their plight, being repeatedly tortured and scorned, they decide to take the law into their own hands. Prey of sexism and its violent by-products, the big screen representatives of the female gender have faced multifarious threats and humiliation often without been given the chance to defend themselves. Women in cinema – just like in real life – have been routinely victims of physical and psychological abuse, mistreatment and discrimination.